Doing Vertical Strokes Whilst Clowns Pull The Canvas From Side To Side Whilst A Band Plays Live Music Until I Have A Heart Attack. Written by Seb, Polly and Adam. Produced by Madison, Seb, Oliver and Thea. Clowns: Marula, Luca, Lisa, Raphael, Fiore, Lewis, Nataliia, Madison, Liush. Video: Veronika. Sound Engineering: Hus. Strobe lights: Nate

90mil, 20-21.09.2025

3 hours of biking clockwise. I follow the dice religiously at the beginning, and as the piece progresses I allow my own compositional opinions to take over. It’s a dance with the dice. I still shake and read their numbers each time, as it’s a guide for me to follow or ignore. I have a pickle jar with 4 dice in the pouch of my overalls, the 2x 6-sided dice chooses which of the 6 buckets of paint, the first 12-sided dice determines the blend between them. The last 12-sided dice decides the shape of path that I bike

Monopol, 24.05.2025

I began sketching as a way to relax inbetween making music and swimming, initially I hadn’t planned to do anything with the ink drawings, but after a few days I realised they had become a documentation of my time at the old Tuberculosis Clinic. The right side is mostly moments whilst sitting on the dock at the lake, the left side is mostly musicians, the bottom section is focused on studios

Grabowsee, 14-24.08.2025

Based on a research trip to Tenerife in which I hiked volcanoes, mountains and forests every day. Photos were taken every second day, and used as the starting point for abstraction. These works were made with dry pigment, as a way to reflect the soil of the volcanic landscape, and began by being monochromatic in order to push vibrancy within a limited colour range

CANK, 31.07.2026

Dance With Rocks 1
I collected rocks that weighed about 15 kilos each and took them along with my recording gear to Tempelhofer Field. It was about 0’C with a little snow on the ground. I threw for nine and a half minutes before my hands became so numb that I could not feel the rocks as I lifted them, this signalled the end of the piece. I sent the video to a few performance artist friends for feedback, they suggested that I explore endurance performance art, repetition and exhaustion. They also suggested that I shouldn’t try to control or compose the performance, to let the situation and my body talk. Performance and video: 9 minutes 48 seconds. Tempelhof Airfield, 04.01.2021

Dance With Rocks 2
On the field it was again 0’C, with a light wind, a little snow on the ground and falling. I focused on endurance; cardio stamina, strength of moving the rocks, and ability to endure the cold. This day I was experiencing powerful strength, along with a reduced ability to feel physical and emotional sensations. Concerned that my hands would go numb in about ten minutes, I decided to throw the rocks harder and faster so that I could reach exhaustion before my hands became unusable. After 41 minutes I did not feel exhausted, but had buried one of the rocks into the ground, which signalled the end of the piece. Performance and video: 41 minutes 12 seconds. Video Edit: 16 minutes 19 seconds. Joseph Tremblay - camera. Tempelhof Airfield, 15.01.2021

Dance With Rocks 3
Whenever I see beautiful intense weather, I want to be inside of it, to experience it fully, to become it. There was a snow storm on Tempelhofer Field, the coldest day I had seen in my five years of living in Berlin. -10’C with wind at 13knots and gusts at 23knots (adjusted -20’C). After six minutes my hands had become unbearably numb, signalling the end of the piece. Performance: 6 minutes 15 seconds. Video: 3 minutes 5 seconds. Joseph Tremblay - camera. Tempelhof Airfield, 08.02.2021